As you may know, social dancing continues to be a gift that keeps on giving in my life. From the community to the music to the different dance styles, there is so much to learn and grow with, if you are open to it. I had the pleasure of attending Kizinfinity‘s Night With The Kiz Stars, #NWK23, in Accra. They planned to provide back-to-back enjoyment, and they did not disappoint. The festival included tours to the Central Region, Eastern Region, and Greater Accra, plus dance workshops and parties focused on Kizomba. Here, I would like to share with you a mini-recap of parts of the program I attended, what stood out to me, and why you need to come and support the next one. Let’s indulge, shall we?
The Program
I only attended the dance workshops and parties.
To begin, the opening party was at Soho at Marina Mall. The DJs provided a nice mix of traditional Kizomba, Salsa, Bachata, Urban Kiz, and Afrobeat fusion. The guests were giving what they needed to give.
Next, the workshops, parties, and performances at Wiggles Bar in the Trasacco area. This covered two days.
The workshops were enjoyable and provided a nice variety of style and fun. Each session went pretty fast. I really appreciated that the instructors included some tips for technique within their choreography routine. I also liked the tips on mindset that some of the instructors shared: set your intention to come to dance with your enjoyment as a priority + share your smile and fun with others.
The performances! Ok, I can’t post all of them…and I promise I’m not playing only favorites…but these were lovely.
These are only a small glimpse. Make sure to check out Kizinfinity for all the videos and photos.
Finally, the beach party at Trophy Tavern.
The Organizing
I really appreciate how Kizinfinity dedicated time and effort to organize this program. Communication is one of the most important factors that can make or break an event. NWK23 had a separate Whatsapp group for all guests to be notified of announcements, ask questions, and share event related content. Leading up to the event, Kizinfinity shared (1) a calendar schedule with activity, location, and attire information, (2) short form videos for details on the location, what to explore in and around Accra, and attire inspiration, (3) and an IG live to answer questions, introduce special guests, and reiterate the activity schedule. During the event, Kizinfinity shared in the Whatsapp group welcome messages to guests traveling to Accra, branded text images as reminders for what to expect on each day, and announcements for schedule changes. While on Instagram, they shared branded professional video recaps for each day. At the end of the program, heart-felt “thank you” and “goodbye” messages were shared all around in the Whatsapp group.
The branded media was also on point. There was one official photographer, Kidjo Photography, and one official videographer, EriCarL Appa, covering this event. That is a big deal for one person each. First, timeliness. They both delivered edited media in a very short amount of time, considering how much photos and footage they must have taken. Second, they both did a great job in showcasing the program authentically. I know I am not the only person who sometimes might give a discreet boombastic side-eye to event photos and videos that seem to only show certain angles and cuts to make the event look bigger or better than it actually was. The photos and videos above genuinely represent the size, fun, and hype that this program had. You can see more of the photos on their Facebook page.
The Kizinfinity team also did justice to the level of hospitality Ghanaians pride themselves for. At any given moment during the program, they were checking in with and showing up for their guests in person and online to make sure everyone was comfortable and having fun. As a guest, you came not feeling as if you were attending an event alone, but instead, feeling as if you were a star among a family of wholesome stars.
A few activities inspired me to envision a remix for that activity. Are you open to hear my insight? Are you sure? It’s not by force.
Ok. This is only an imaginative suggestion. Take what resonates with you and, if you choose to, implement it in the way that feels aligned for you. Here we go…
We had one activity where we were taught a dance to do with a traditional African drum. It was fun and an intense workout for some, me included. This got me thinking. I understand the sentiment to incorporate something to showcase traditional culture, especially for the guests who traveled to Accra for the event. Since the majority of the guests are African, could we take more creative license with the traditional African drum? Ok, hear me out. Imagine this. We have the drum / dance instructor with 10 additional different drums. Everyone who wants to participate gets a chance to play one of the drums. The activity begins with learning the significance behind each type of drum and certain rhythms. Then we are taught a 2 or 3 part rhythm to play together. Simple enough to get the hang of it quickly, but a little complex to be interesting. Those who are not drumming are given the challenge to dance Kizomba (or some variation of it) to the rhythm the new drummers were taught. We go maybe 2 or 3 rounds so the new drummers also get a chance to dance, if they want to.
Do you see how beautiful such an experience could be? Looking at the types of people who attended this program, by all means some will add there own singing or special effects to the rhythm. In this way, you are able to incorporate traditional culture with the theme of the program plus provide an opportunity for creative collaboration, which would seamlessly flow into the next workshop dance activity.
It’s an idea. Flow with it. I’m sure you can add more to make it work better for you.
Things We Can All Take Note Of For Social Dances / Festivals / Fiestas
Venue
For social dances in general in Accra, I have observed how finding and convincing a venue to participate can be tricky. Most of the time, the venue is a restaurant / bar that has agreed for the social dance to occur on a day they either have low traffic or have customers that will see the social dance as free entertainment. As the social dance community in Accra continues to grow and evolve, I hope and trust more quality venues in Accra continue to recognize its value and continue to enhance the experience. That way, there can be more venues that provide the right floor for dancing, temperature control or relief, comfortable seating, appropriate music equipment, and genuine interest in the dance community.
Timing
There is a fascinating need to balance the intricate dynamic between CP time (Colored People Time), GMT (Ghana Man Time), and scheduled time. During this program, the organizers, instructors, and DJ’s were ready at the time they were scheduled. The opening party was scheduled for 8pm on a Wednesday. At 8pm on that Wednesday, the music was playing and the floor was ready. The workshops were scheduled to start at 4pm on Friday and Saturday. At 4pm on Friday and Saturday, the music was playing and the instructors were ready. However, the guests were not all ready. This was not as much of a glitch for the parties, but this did cause a change in schedule for the workshops.
I understand that some guests come to these festivals only for the dance parties, which is fine. However, for the ones who sign up for the workshops, we can do better. On the organizer side, it might be beneficial to have more of a gap of time between the workshops and parties, but again, that is dependent on guest attendance. Would it make a difference if program tickets were divided for parties only and workshop + parties to get a better sense of who will attend the workshops? How can we entice guests to show up closer to the start time? On the guest side, if a program has already demonstrated they are punctual, why keep them waiting for you? Would a different time schedule work better for you?
I feel we can create a win-win situation for all sides. It will get there eventually.
Etiquette
Kindness and boundaries are important and should be respected. This is something that came up during this program (and has come up a number of times in social dancing in Accra in general), so it stood out to me. This is not to generalize or indict anyone, but I feel as a community, being more open in communicating how we are making an effort to ensure this is a safe community for everyone is beneficial for all of us.
Kizomba is a fun dance. There are variations of it that can make the dance more intimate, which requires balancing each dance partners comfort zones. Up to this point, I have primarily danced as a “follow.” The main glitch I have experienced and witnessed is a mismatch in understanding and a mismatch in accommodating or correcting when a boundary or request is articulated.
This is not to single out one particular gender or one side of the dance. “Follows” are also capable of overstepping boundaries or being a mismatch. Sometimes, a “lead” does not know there is an issue because a “follow” did not articulate it or speak up. For all of us who are supportive of this community and genuinely are not here to cause harm, I feel we can create a win-win situation. We can all continue to hold space for each other to learn and evolve our comfort zones, articulate our boundaries, look out for each other, and accommodate different requests and styles without feeling concerned about being judged or ostracized.
What To Expect At Night With The Kiz Stars, NWK
If it is not already obvious, you can expect back-to-back enjoyment at Kizinfinity’s Night With The Kiz Stars. A diverse community who share a common passion for dance and fun. A program that is organized, intentional, and understands the assignment. An experience in Accra that is different from your typical night life or tourist attraction. Memories that you will cherish forever. An opportunity to “show dem.”
Thank you to the Kizinfinity team and the dance community. I am looking forward to the next one.
Are you coming? Let me know in the comments.
Dagny Zenovia 